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Percy
Response #1
....was due Tuesday 9/11.
- Question
- 3 negative examples & a model
- Class favorite
Question
Concentrate on section one of "The Loss of the Creature."
There are many specific portraits of travelers in this section (the explorer
Cardenas, a sightseer with a camera, a family marooned during an outbreak
of typhus, an American couple in Mexico, a young man in France, etc.).
All of these portraits are biased to some extent; which one of them seems
to you the most questionable? Use details involved in the portrait you
pick to expose Percy's assumptions.
What lesson do we as readers learn from Percys presentation of this
portrait?
Cardenas
paragraphs: 3 false starts & a model
False
start 1. In "The Loss of the Creature", by Walker Percy,
he talks about experiencing things. You have to get off the beaten path.
Society stops people from seeing things for themselves. I think this is
really true. I liked the part about Garcia Lopez de Cardenas. "One
crosses miles of desert, breaks through the mesquite, and there it is
at ones feet."
False start 2. At the beginning of "The Loss of the Creature,"
Walker Percy starts by describing Garcia Lopez de Cardenas. He discovered
the Grand Canyon after crossing miles of desert. It was beautiful to him
because he was the first to see it. But now that the government has made
it a national park, we cant see it like this. Percy says that if
seeing the Canyon had a value of "P" for Cardenas, then now
we only get a millionth part of "P" today.
False start 3. Walker Percy is a racist. I couldnt believe
how he says that Indians dont count as people, and how he just assumes
that the Spanish guy had all these emotions. How does he know? He wasnt
there.
Model. Percy credits Garcia Lopez de Cardenas with "discover[ing]"
(511) the Grand Canyon, laying eyes on it before anyone else. Percy assumes
that only Cardenas is able to see the Grand Canyon "for what it is"
(512); sightseers coming after him can never have this experience. But
this assumption is shaky.
The picture of Cardenas at the Grand Canyon is sheer conjecture: no actual
documents back up Percys claims. In fact, the sing-song description
of Cardenass discovery ("
breaks through the mesquite,
and there it is at ones feet"(511)) highlights the artificiality
of this fantasy. Percys pseudo-analytic labeling of Cardenass
discovery as "a certain value P" (511) continues the charade.
Its curious that Percy uses "P" rather than a more mathematical
"X" in this phraseis it a coincidence that our author
is stamping this description with his own initial?
These opening tricks should put Percys reader on guard. Percy is
doing two things at once: hes railing against "formulated"
(512) experience, and also giving us a demonstration of how easy it is
to fall into blindness thanks to preformulation. By coating Cardenas with
fantasy, Percy loses sight of the actual explorer, ironically demonstrating
the same failure to perceive that he denounces.
Actual response: class favorite
Examining
"It"
Through the use of fictitious travelers, Percy would like us to believe,
unfairly, that to truly see and experience a certain thing for what it
really is, one has to be the lone, initial discoverer of it, or a rare
individual that has recovered "sovereignty" in it. This bias
is most unfair in Percy's anecdote of a lost midwestern couple who stumbles
into a tiny Mexican village.
The discoveries of the author's Spanish explorer, Garcia Lopez de Cardenas,
and the lost American couple, forced into the role of explorer, are comparable.
Cardenas's canyon and the couples' village are both uncharted and unmapped.
The canyon and the village are both "unspoiled" places. The
fictional explorers both experience a high level of being - Cardenas is
"amazed", the Americans are "entranced". Despite the
similarities, Percy steals away the sovereignty of the American couple
and assumes their level of experiences is less that of Cardenas's.
Percy writes that the discovery by the American couple is "a far
cry indeed from an immediate encounter with being" and a "desperate
impersonation" of such. Why? Percy explains that, despite the authenticity
of the sight, the encounter is not authentic because the couple seeks
to have their discovery "certified" by returning to the village
with their ethnologist friend for his approval of their experience. Can
we not assume that Cardenas may have returned to Spain with a twentieth
century sightseers enthusiasm and implored the Queen to finance another
expedition to the region and claim it for Spain, thus seeking the same
certification as the American couple? Nonetheless, as readers we are,
through Percy's biased, unfair and incomplete use of fantasy travelers,
taught to examine more deeply what we may perceive as being "it"
and if not "it", how we can reach that level of being as individuals.
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