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Teaching HQ |
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The Radcliffean sublime, in contrast
to Burke. What is she really interested in, and how does that
connect with the feminine as depicted in the novel?
The supernatural tease, vs. Blake's
commitment to excess and sense-driven imagination. Does Radcliffe
have a different view of the creative function of "evil"?
In what way does one of Radcliffe's
characters mimic somebody in Hamlet? How are the two figures
different in the way they go about gratifying desire or discovering
origins or putting up a front?
Measure a character's ambitions and shortcomings against Milton's example in Paradise Lost. In what way does Mother Radcliffe court or resist Satanic creativity?
One final note: Burke might have equated obscurity with greatness,
but he undercut himself by being quite clear in the Enquiry.
Be you the same.